![]() ![]() Giulia also mentions that the White Lady's house - the ruins in the forest - was "a place of suffering" and that she took refuge at the site where the villa now stands. Given Giulia's relationship with Lapo and the obvious guilt she feels about it, it seems like Giulia is projecting her own story onto that of the White Lady. It's never mentioned, for example, that the White Lady and the man who eventually killed her had an illicit relationship, but Giulia's headcanon is that they met in secret and that the White Lady took to praying in the woods because she was too ashamed to talk to her priest. If you capture and develop ghostly images of the Lady with the infrared lens, Giulia talks about details that were never mentioned in the storybook at the beginning of the game. Although the White Lady is scary enough to compete with the ghosts of other haunting games, she is probably just a figment of Giulia's imagination. The legend of the White Lady is fairly straightforward, and Giulia's obsession with the story is a driving force behind many of her actions. If this is the case, then all the handwritten letters in the game were left by Giulia herself! During the final conversation with Giulia's reflection, there is an option to suggest Lapo never existed. Martha's letter to Irene is written in print rather than cursive, but the handwriting matches Lapo's letter to Giulia. Related: The Medium: Where To Find All Pages From Richard's Diary Did Giulia write that letter as well, or is the game recycling fonts? However, the letter to Irene from the nanny also has the same handwriting. It's also identical to Martha's handwriting in the letter she left for Giulia, which makes sense if they are the same person. The handwriting in the photos is identical to Giulia's handwriting in her diary. ![]() As it turns out, she might have done so herself during a blackout. At first, Giulia is skeptical - she wonders if somebody wrote on the film before it was developed. These riddles eventually allow you to take ghost photographs of the White Lady. As we later find out, Irene killed and cooked the dog in a fit of rage before forcing little Giulia to eat it.Īn optional side quest allows you to use the infrared lens to capture hidden messages on film. Giulia mentions upon inspecting the dog bed that she can't remember what happened to her first dog. During the puppet theater sequence, sharp-eyed players might notice that this is the cane Irene uses to beat Giulia, resulting in her dissociation. The camera lingers in particular on a cane with the head of a dog as its handle. While the player doesn't find out what happened until the second puppet theater sequence when Giulia's repressed memories come back, she gets a feeling of sadness at the dog bed and a sense of unease near Erich's cane collection. Near the foyer, two of these objects directly reference the childhood abuse Giulia suffered. Photos, letters, and household objects give some startling insight into the dynamics between the central characters. On the evening of Martha's wake, players can explore the parlor to learn more about the family. ![]() Games with twist endings often have innocuous foreshadowing hidden in plain sight. It's common knowledge to the family and their circle that Giulia is deeply mentally ill - since the family would have kept Irene's treatment of Giulia as a child secret from the priest, he sees her condition as a result of trafficking in devil-worship, and the nanny is to blame. With this in mind, pay attention to Don Attilio's accusation he claims that the nanny and her tarot cards "hurt" Giulia, not "killed" Giulia. If you've finished the game, you know that it's very likely Martha never existed at all and Giulia is an only child (though nothing is certain as Giulia proves unable to determine what is real and what isn't). Related: Hidden Details Everyone Missed In House Of Ashes He cites her use of tarot cards - which he views as witchcraft - as the reason for his suspicion. Don Attilio says he thinks the nanny had something to do with the incident at the lake, even though she is watching the family's main house and is nowhere near the villa. We are first introduced to him when Giulia listens in on a phone call between him and Irene. Although he never appears onscreen, the family's priest in San Casciano plays an important role in the story. ![]()
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